• Good Game

    I suppose it was too much to expect that we'd stay in third place of the Olympic metal table forever, but it's been a good run. While the BBC was worried about the Australians creeping up and overtaking us, my personal fear was that the Russians would find their form and unfortunately that's exactly what happened.

    It's a shame, but that shouldn't take the shine of what has been a remarkable performance and our best medal haul in goodness knows how long. It's important to remember that we're choosing from a much smaller pool when picking our olympic squad - the three nations currently above us are China, Russia and America, all of whom have significantly larger populations than our little country. With so many people to pick from, it's not surprising tha China have been able to find a few who are good at sports.

    I doubt we'll win enough golds in the final events of the games to leapfrog the Russians again, but all the same this has been a brilliant games. Well done us.

  • Sound and Vision

    It's been a few days. I'd make an excuse, or, at the very least, explain myself, but I've got an issue of Computer Weekly in front of me with an article about blogging in it, and they reckon you shouldn't even mention that you've been away. So I've screwed that one up already.

    A few posts ago I mentioned the excellent Audiosurf, a synaesthetic computer game which makes roller coaster-style racing tracks out of your favourite mp3s and then asks you to race upon them. Synaethesia in gaming is something that I find interesting, and I'm always looking to play other examples.

    So imagine my joy at finding Synaesthete, an abstract isometric shooter made by students at the Digipen Institute of Technology. Based upon the solid arcade foundations of games like Robotron, Synaesthete builds its whole experience around an excellent dance soundtrack which influences both the visuals and the enemy patterns. The conceit of the game is that you're controlling an antivirus program in a collective electronic conciousness, but what that really means in that you're a little white guy and you shoot stuff. The difference is that the targetting of enemies is handled for you, leaving you to concentrate on movement and rhythm.

    This rhythmic element plays out in the form of a Guitar Hero-like grid that is overlain on the screen whenever enemies approach. Coloured squares scroll down it, representing the notes of the soundtrack playing in the background. You have to tap keys on your keyboard in time to the squares, with the strength of your firepower depending on how close to the rhythm you are.

    I'm not really sure I'm explaining it very well, so here's a gameplay video that does the job much better than I can:


    It's not perfect, if I'm honest: most of the time you can concentrate on pressing the key that corresponds with the left-most column of the grid; that column represents the kick drum, and it's by far the most simple rhythm to follow. You're rarely given much of an incentive to move away from it, which makes things much easier than they could be. But hey - it's free, it's fun, and it moulds together sound and vision in a way that makes me quiver with joy.

  • Coign Of Vantage

    Just a quickie tonight. Coign of Vantage is a great little flash game that tests your spatial awareness. It's fun and addictive, and comes highly recommended.

    http://www.bobblebrook.com/games/coign-of-vantage

  • Playing Games with the Olympics

    The Olympics are underway, and Britain's performance so far has been pretty good. We've got a whole bunch of medals, and today I saw an epic match between Gail Emms and Nathan Robertson, Britain's mixed doubles badminton team, and the second-seeded Chinese team, a match which Emms and Robertson managed to pull back in classic style after looking completely out of it.

    But then we get to the news that parts of the opening ceremony were faked, I didn't see it myself at the time, but I've reviewed the sections in question and I'm a little perturbed. We, the international television-viewing public, were shown footage of fireworks which were filmed before the ceremony started and inserted into the live pictures. Other fireworks were computer generated.

    I'll probably sound snobbish for saying it, but I don't care if some of the fireworks were computer generated, for the simple reason that it was stupidly obvious and if you were fooled by them you need to have your eyes tested. So when we were having a shot of Beijing shot from a helicopter swooping over the city, I didn't think that the fireworks that were supposedly launched from the buildings and yet managed to keep pace with the copter rather than being zoomed past were real. The only thing about this episode that disturbs me is that one of the world's major powers can't afford better graphics software.

    The other fireworks thing annoys me more. Everyone agreed at the time that the opening ceremony was fantastic, epic, beautiful. But it wasn't - it was less epic, less fantastic, less beautiful than the organisers led us to believe. Such basic chicanery seems against the spirit of the games somehow.

    The story that's really annoyed me, though, is the incident that seems certain to go down in history as Little-Chinese-Girl-Gate. One of the highlights of the ceremony was a small Chinese girl, cute as a button, standing in the centre of the main arena and singing. Except she wasn't; she was miming. That much doesn't come as much as a surprise; it was pretty obvious from watching that she wasn't singing live. I don't mind that, but I do mind the fact that she was miming to someone elses singing.

    The actual singer was a different little Chinese girl. She was the one with the lovely voice, but someone in authority decided that she wasn't cute-as-a-button enough, and so they drafted in a better looking child. Again, it seems to go against the Olympic ideal to favour someone so because of outward appearance, and while I understand that the organisers wanted to present a "perfect" event to the world, to do so by lying to us makes them look, well, dishonest.

    Then again, this is China we're talking about. Are we really surprised that a country which has edited the massacre of students by members of its own army entirely out of history is now been shown to be willing to lie to the rest of the world? I'm obviously not comparing the events of Tiannamen Square, with a miming child, but this whole incident is indicative of a country and a culture determined to present a perfect outward appearance no matter the cost.

    In any event, changes that were made to the ceremony to make the whole thing appear more perfect have, in being discovered, had exactly the reverse effect. Maybe the rest of the Games will run smoothly and with perfect equanimity, but even the smallest controversy that occurs from now on will be seen to be happening on top of an opening ceremony marked by untruth. That's not what the Olympics should be about.

  • When I Come Back Around

    It's eight o clock on a warm Sunday evening. I am sitting at my laptop suffering from a hangover and sleep deprevation, with Meet On The Ledge ringing in my ears and my new festival hat on my head. My festival hat is named Alan.

    Cropredy was, in a word, amazing. But since I have the space to write many words rather than just one, I think I shall do just that.

    Cropredy the festival takes place in Cropredy the village, a small picturesque community with a canal running through it. The festival is organised by Fairport Convention, and it boasts of being the friendliest festival going. It takes place on the first Thursday in August and runs for three days. This year it was headlined by Supergrass on the thursday night, The Levellers on the friday and Fairport Convention themselves on the final night.

    Some other bands played too, but frankly I couldn't tell you what any of them sounded like because those were the only three acts I heard. Supergrass were great, The Levellers were slightly less great - although I'm prepared to admit that might be because I'm unfamiliar with their stuff - and Fairport were epic. And that's almost all I'm going to say about the music.

    I went down with a gang of friends, many of whom had been to Cropredy many times before. This was my first time, so I was suprised at the number of people we ended up with in our gang - in the end there must have been twenty five of us crowded under a marquee, chatting and laughing and drinking port. There was no real thought of heading down to the festival field and watching the bands because sitting in a field enjoying good alcohol and good company was more than entertaining enough.

    Eventually we headed to the main festival site to trade tickets for wristbands, and then we headed for the most important location at a gig like this - the local pub. The Red Lion Inn was heaving, and since it was bright and warm most drinkers were sitting in the ancient graveyard across the road. We joined them and sat on the grass with old yews arching overhead. My first thought was that it seemed a trifle disrespectful to the long-dead, but whether it was the sun or the cider my mind soon changed. If you told me that a hundred years after I die my graveyard would become a place of goodwill and laughter I wouldn't mind a bit.

    The people you meet at Cropredy are incredibly friendly. There were many people who I randomly said hello to or who said hello to me. Under normal circumstances I would never say hello to a random stranger in the street, and if one greeted me I would be expecting a subsequent mugging, but here those kinds of thoughts never even occured to me. The sense of community is overwhelming.

    On the second day the guys ditched the gals and went for a Boy's Day Out. We went to the other pub, The Brasenose Arms, where bands were playing as part of the Festival Fringe. Since it was sunny again we went across the road with our drinks and sat beneath the famous Cropredy village sign. And then we spent the next six or so hours doing what blokes do best: drinking beer and talking bullshit.

    When the Boy's Day Out was first mentioned to me I was slightly sceptical. Surely if I wanted to sit on the grass and drink all day I could do that in my home town and save eighty quid on festival tickets? But here's the truth - I couldn't. None of us could. Some of it was the weather and some of it was the company, but a large amount was the location. It needed the relaxed atmosphere and the friendly crowd. And also, in my home town I wouldn't have seen the Piano Man.

    I'm told that the Piano Man was at last year's festival. He is a relatively short, wiry man with a quick smile who rides around the streets of the village in a tuxedo and top hat on his mobile piano. The piano is apparently a device of his own creation, a marriage of the aforementioned musical instrument and the workings of a bicycle. He pedals for propulsion and steers via an ingenious mechanism which works by him sliding his piano stool forwards and backwards to change direction. It's a work of brilliance, of dark brown teak and shiny brass, recalling in equal parts Jules Verne and Willy Wonka. If you call him over he'll stop and give you a song.

    On Saturday it rained, and the whole place turned into a quagmire of sticky brown mud. Amazingly, the toilets were still surprisingly clean. At most festivals you're lucky if the toilets still work after three days, and at some of the really hardcore festivals you're lucky if the toilets haven't been collected into a huge pile and set alight like some kind of huge sacrificial pyre dedicated to the faeces god, but at Cropredy the toilets were kept stocked up with paper and in relatively good order. This sort of thing becomes increasingly important as I get older, and Cropredy is now the high watermark of bathroom cleanliness.

    The festival ended with Fairport Convention's performance. They were joined on stage at various points by performers from many of the bands that had played the previous days, as well as the mighty Robert Plant. They played a great number of songs that I didn't know and that I came away from absolutely loving. They closed, as they always do, with the epic and beautiful Meet On The Ledge, a song about loss and the redemptive power of friendship. It still seems like the most appropriately timed song in the world.

    I'm tired. Since I started writing this post I've abandoned it once to go down to the pub for a post-Cropredy pint. In the true spirit of the festival, that single pint turned into many pints, and a few minutes spent with friends has turned into hours.

    I'm tired, I ache, and even though I've showered I'm still fairly sure there are things living in my hair. None of that matters a jot to me right now. This has been the best festival I've ever been to, and without doubt one of the best things I've ever done in my life. I can't wait to do it again next year.

    See you there.

  • Off We Go

    Tomorrow I travel to Cropredy. Cropredy is a folk festival. I don't even like folk music.* What I do like, however, is sitting in a field getting drunk with my mates. I will be doing that and little else for the next four days. It's gonna be great.

    Or is it?

    Yes it is. See you in four days.

    * Actually, I don't mind folk music. I really like Damien Rice and he's quite folky, and I love Joanna Newsom and she's both folky and weird but strangely attractive in a winsome kinda way. In fact, I actually quite like folk music, and I only pretend to dislike it so that I can maintain my facade of bullish not-liking-folk-music-ness. Sorry. I'll go away now.

  • After the Gig

    So that went better than I had any right to expect.

    The gig, I mean. All that stuff I said about the set list being carved in stone was nonsense, of course - I dropped one song in favour of a Lemonheads number about camping, which seemed appropriate since I'm off to a music festival on Thursday. I made a few mistakes and fluffed a few words, but the crowd were appreciative and the mistakes seem to have been overlooked.

    The reaction to my own songs was far better than I'd hoped. I made sure that there was some confusion by slotting my own songs in amongst the cover versions without actually telling anyone which was which, and since the covers weren't hugely well known noone seemed very sure which were my tracks and which ones I'd stolen. Afterwards I got my friends to guess which were which, and there was a enough doubt for me to conclude that my songs were comparable to those written by the proffesionals. Whether that says good things about me or bad things about the pro's I'll let you decide for yourself.

    The only real blip was the drunk who tried to invade the stage, tripped over a step and went flying, taking my pint with him, but since that was actually one of my friends I've decided to be fairly forgiving. I'll make him suffer for it, that goes without saying, but I was at least able to prevent myself from manhandling him physically off the stage.

    The comment that pleased me most of all, though, was from a friend who was attending for the first time and so had never seen me play before. It wasn't the music he was commenting on, it was me personally - he said I was a completely different person on stage. And he's right: when I'm up on stage and performing, and everything is going well, and the crowd's enjoying it, I am a different person. I'm a confident person. I love performing because that feeling is amazing. I might be terrified before hand, but once I'm up there with the adrenalin going it's indescribably good.

    I wonder how long I can carry that feeling with me before it fades? Last time I felt like this was after my first ever open mike night, and I was on a high that lasted for weeks. I like being like this, I like being happy. I need to make it last.

    The next open mike night is a month away. It's can't come soon enough.

  • Fear of Music Part 2

    So I think I've got my set list sorted out. It became easier when I discovered that someone I'm trying to impress won't be at the open mike night, so I don't have to worry so much when I make a mistake - except about the drunken mob who'll be listening to me. And they're just my friends.

    The set list currently contains several songs I'm confident about playing, including Taking Back Sunday, Eels and Evan Dando. It also contains several songs that I've written myself and which I'm very definitely not confident about playing.

    I've never performed my own songs in front of anyone, you see. Not even my family. Hell, I even make sure my neighbours are out before I practise them. So this is trial by fire for those songs. It's nervewracking enough to be up on stage performing in front of people, let alone laying open your thoughts and emotions for everyone to see.

    Still, I'm determined not to change my mind any more about what I'll be playing. No more prevarication. No more faffing. This set list is carved in stone, and that means that tomorrow evening I'm going to be performing three of my own songs.

    Shit.

  • Randomness

    So, the internet then. I know there's a world of information out there, but does anyone else find that they mostly end up visiting the same sites over and over again? Much like in real life, where perhaps your daily path will take you from your house to work to the shops and back home again with only occasional deviation, it's easy to find that your internet travels become equally entrenched in routine.

    Thank goodness for Random Website dot com, then. It's a simple page with an illustration, a disclaimer and a single link. Clicking on that link loads up a random webpage. Easy, effective and entertaining.

    Try it for yourself here.

  • Fear of Music

    I currently have The Fear.

    There are several things that I'm not-bad-but-not-great at. One of them is singing, and another is playing the guitar. And I'm not being self-deprecating - I have friends who are very, very good guitarists and singers. I can play a bit and sing a bit, which is better than most but not as good as some. And yet somehow I find myself headlining a local gig.

    It's a monthly gig at a local pub, and it's nominally an open mike night, but there are always three named acts. I've done two open mike sessions and next tuesday I'll be taking to the stage as one of the named acts. The last one on, in fact. Headlining.

    Now let's be honest; I haven't been performing live for very long and I'm merely good as opposed to the usual acts who are brilliant, so the decision to put me on last is probably a sensible one. The crowd will have begun to thin by then, so if I mess the whole thing up there won't be that many people to see it. But all the same, my name is at the top of the posters and I am afraid.

    It's not the performing as such, although that prospect is terrifying. No, what's giving me The Fear with capital letters is the fact that no matter how hard I try I can't seem to prepare for the gig properly. I have no idea what my set list is going to be. Normally I'd know exactly what songs I'll be performing by now, but I just can't seem to pin down the final list. It's like I'm missing a big crowd-pleasing number that'll lift the lid off the place. Both of my previous performances had one, and while I'd love to just play all my favourite songs I have to bear in mind that the best way to win the crowd over is to play something that they know and not just fill the set with obscure shoegazing indie songs.

    Of course, not knowing what I'm going to play is making practising a bit difficult. By now I should just be practising the set list, but since I don't have one I'm just arsing around playing whatever pops into my head, which means I'm generally playing those obscure shoegazing indie songs I mentioned earlier. Should inspiration suddenly strike I'll only be left with a couple of days to learn a completely new song, and inspiration shows as much sign of striking me as I'm showing of mastering the power of telekinesis.

    I'm proud of myself for being able to get up on stage and perform in front of people; if you'd told me a year ago that I'd be doing this now I'd have curled into a little introverted ball at being talked to by a stranger. But I can't shake The Fear, and it's starting to get me down. I'm reminded of a quote by that great philosopher Homer Simpson - "Trying is only the first step towards failing." That's an awfully defeatist attitude, and I'm sure once I'm up on stage everything will be fine, but right now I wish I'd never even looked at a guitar.

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